“The Myth: last day”

2022 / Kanuti Gildi SAAL

Performed at SAAL Biennaal / Tallinn , Impulstanz Festival, Sophiensaele, DRAAMA festival / Tartu, Sequences Festival / Reykjavik, Baltic Dance Platform / Riga and more.

Trailer

The performance is centered around a pre-fabricated archaeological mine, where a pseudo- archeologist digs objects from the ground, investigating the stories that they carry. It intertwines reality and fiction, creates myths, thereby constructing speculative pasts and futures.

"The Myth: last day" poses questions like who owns the objects, along with the stories that they carry? Which interpretations are regarded, which not?

The second part of the show is a black-metal-inspired doomsday-concert, it animates the ruins, explores reasons to project towards the future

https://www.sirp.ee/s1-artiklid/teater/pseudoarheoloog-kes-tegi-ajale-ringi- peale/

https://www.temuki.ee/archives/5704

https://kultuur.err.ee/1608596917/netti-nuganen-muut-paeva-aarel-toukub- vajadusest-luua-kildudest-tervik

https://edasi.org/132006/teatriarvustus-kaja-kann-koreograafid-kergitavad- kehalist-leivatainast/

“The Myth”

2022 / Tallinn City Gallery

A mixed-media installation part of a group-exhibition “From Dream Sequences to Real-Life Consequences” , Curator: Keiu Krikmann
Linked to the stage work “The Myth: last day”

A half-unearthed microphone and a cross-section of ground, consisting of different sediment, clay, coffee beans, teeth, a walkie talkie and an egg.

A cross-section object: Pieces of roulette wheel, eggshells, different types of clay & cement

Long pants and a cabbage bludger, from the performance “The Myth: last day”

https://echogonewrong.com/her-legs-an-egg-her-toile-and-blankets-curated-by-keiu-krikmann-at-tallinn-city-gallery/

https://digigiid.ee/naitused/koolnu-jalad-tekid-kangrud-muna/muut

https://www.kunstihoone.ee/programm/koolnu-jalad-tekid-kangrud-muna/

https://kultuur.err.ee/1608711748/galerii-linnagaleriis-avati-naitus-koolnu-jalad-tekid-kangrud-muna